Variscan Synthesis: Difference between revisions
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* Trying to give a voice to 370 million year old electronic components. | * Trying to give a voice to 370 million year old electronic components. | ||
* Changing/adjusting the crystal should have a clear result in most circumstances - they need to be in the centre of the circuit, so e.g. taking them away stops the sound. | * Changing/adjusting the crystal should have a clear result in most circumstances - they need to be in the centre of the circuit, so e.g. taking them away stops the sound. | ||
* Specially made cat's whiskers mounted in Cornish granite to make the minerals the focus of a live performance. | * Specially made [[Cat's whisker setups|cat's whiskers]] mounted in Cornish granite to make the minerals the focus of a live performance. | ||
* Incorporate 1920s crystal wireless technology. | * Incorporate 1920s crystal wireless technology. | ||
* No tuning. | * No tuning. | ||
| Line 13: | Line 13: | ||
Practice: | Practice: | ||
* Single sided PCBs glued to neodymium magnets, so they can be rearranged inside a repurposed tool box (protects them during travelling/storage). | * Single sided PCBs glued to neodymium magnets, so they can be rearranged inside a repurposed tool box (protects them during travelling/storage). Modular without (so many) patch cables, structure follows flow. | ||
* Extensive use of vactrols (LED/light dependent resistor). This is to make circuits simpler and be able to see what's going on at the same time. | * Extensive use of vactrols (LED/light dependent resistor). This is to make circuits simpler and be able to see what's going on at the same time. | ||
* Sequencing via simple building blocks, binary counters and shift registers. | * Sequencing via simple building blocks, binary counters and shift registers. | ||
* Syncs with analogue synths via pulse train. | * Syncs with analogue synths via pulse train. | ||
* Works well with volca modular, which has become a standard addition in live gigs. | * Works well with volca modular, which has become a standard addition in live gigs. | ||
* Inputs/outputs are signal, +4.5V, 0V, -4.5V. Other voltage ranges also work (the diode ladder filter needs at least this much to work). | * Inputs/outputs are signal, +4.5V, 0V, -4.5V. Other voltage ranges also work (the diode ladder filter needs at least this much to work). Signal is replaced by clock on the sequencing modules. | ||
= Modules = | = Modules = | ||
Revision as of 15:45, 26 June 2026
A new modular approach, using Cornish granite, CNC cut copper circuit boards and a lot of magnets.
Theory and rules:
- Trying to give a voice to 370 million year old electronic components.
- Changing/adjusting the crystal should have a clear result in most circumstances - they need to be in the centre of the circuit, so e.g. taking them away stops the sound.
- Specially made cat's whiskers mounted in Cornish granite to make the minerals the focus of a live performance.
- Incorporate 1920s crystal wireless technology.
- No tuning.
Practice:
- Single sided PCBs glued to neodymium magnets, so they can be rearranged inside a repurposed tool box (protects them during travelling/storage). Modular without (so many) patch cables, structure follows flow.
- Extensive use of vactrols (LED/light dependent resistor). This is to make circuits simpler and be able to see what's going on at the same time.
- Sequencing via simple building blocks, binary counters and shift registers.
- Syncs with analogue synths via pulse train.
- Works well with volca modular, which has become a standard addition in live gigs.
- Inputs/outputs are signal, +4.5V, 0V, -4.5V. Other voltage ranges also work (the diode ladder filter needs at least this much to work). Signal is replaced by clock on the sequencing modules.
Modules
- noisegen
- squarewave
- diode ladder filter
- 4 way low pass gate
- general purpose amp
- noisegen amp
- shift sequencer
- counter
(Photo credit Nik Nenov (cc-by-sa))
